Currently watching The L Word
Fandoms: GOT, Broadchurch, Elementary, Hannibal, Orphan Black, Orange is the New Black, Luther, Sleepy Hollow, Parks and Rec, Teen Wolf, DW, Marvel, etc
A new religious statue in the town of Davidson, N.C., is unlike anything you might see in church.
The statue depicts Jesus as a vagrant sleeping on a park bench. St. Alban’s Episcopal Church installed the homeless Jesus statue on its property in the middle of an upscale neighborhood filled with well-kept townhomes.
Jesus is huddled under a blanket with his face and hands obscured; only the crucifixion wounds on his uncovered feet give him away.
The reaction was immediate. Some loved it; some didn’t.
"One woman from the neighborhood actually called police the first time she drove by," says David Boraks, editor of DavidsonNews.net. "She thought it was an actual homeless person."
That’s right. Somebody called the cops on Jesus.
And the King shall answer and say unto them, Verily I say unto you, Since you have done it unto one of the least of these my brethren, you have done it unto me.
A comedy sci-fi film with a woman of color as the lead!
This looks cute
RIHANNA IS DOING THE VOICE ACTING FOR THAT LITTLE GIRL
FFFFFFUCK OMG low whisper yeeeeeessssss
There is the million dollar question.
when people call hannibal misunderstood i just imagine hannibal as socially confused, 90s sitcom character who gets into hijinks
like he trips on a skateboard and accidentally harvests a dude’s liver
and jack walks in with his hands on hips and he goes “hannibal" in that annoyed, sitcom-way
and hannibal is just on the floor feasting on this dude’s organs and he shrugs and sheepishly grins and says “did i do that?” and a laugh track plays
Colombian Nobel laureate Gabriel García Márquez was the author of One Hundred Years of Solitude (1967), Autumn of the Patriarch (1975), Love in the Time of Cholera (1985), in addition to many other novels, short stories, and non-fiction works. In 1982 he received the Nobel Prize in Literature for “his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent’s life and conflicts.” García Márquez, only the fourth of six Latin Americans to be awarded the literature prize since its inception in 1901, lamented: “they have taken into account the literature of the sub-continent and have awarded me as a way of awarding all of this literature.” In his acceptance speech, entitled “The Solitude of Latin America”, García Márquez addressed the postcolonial struggles of Latin American nations, and the willing embrace by European institutions of Latin American cultural expression but not its social realities:
Latin America neither wants, nor has any reason, to be a pawn without a will of its own; nor is it merely wishful thinking that its quest for independence and originality should become a Western aspiration. However, the navigational advances that have narrowed such distances between our Americas and Europe seem, conversely, to have accentuated our cultural remoteness. Why is the originality so readily granted us in literature so mistrustfully denied us in our difficult attempts at social change? Why think that the social justice sought by progressive Europeans for their own countries cannot also be a goal for Latin America, with different methods for dissimilar conditions?
WHAT GUYS LOOK FOR IN GIRLS:
- STUNNING EYES
- A LIL FREAKY WHEN UR ALONE
after a thousand years have gone
you’ll see me…
tamer of dark stars,
i’ll make my way.